Мало, но красиво =)

@темы: Sherlock BBC, Benedict Cumberbatch, tumblr такой tumblr, pic

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флуд... бессмысленный и беспощадный =))

Ваши инициалы говорят о таких качествах: большие запросы, напряженность в их достижении, бесконечные поиски, погоня за идеалом, сила интеллекта, непостоянство, отсутствие системности, жизнерадостность, мечтательность, раскрепощённость.
Проверить свои инициалы >

@темы: флудеразм

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Простите за закрытку вчера...

был выбит из колеи

Ну, насущное...
АААААААААААААААААААААААААААААААААА! Факинщит!!! Новый гость на JIB 2011!!!!!!!! я уже не верю в чудо, но пусть это будет Matt Cohen!!!
Что-то еще хотела сказать... хмм... вспомню, напишу =))
ПыСы. Скоро пойду на тумблр, натырю фоток... вот только работу поработаю немного... ня!
UPD. Собственно, я и не сомневалась =((
serendipityhope daniela chiusa
@
Sorry @TatianaKoba it's not him either name start with a R

Народ, кто там у нас на Р??? кроме любимого Ри...

@темы: Jus In Bello, news

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Гиф с my life in film

Только Эндрю

@темы: gif, Andrew Scott, tumblr такой tumblr, my life in film

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свеженькие зайчики =))))

@темы: Martin Freeman, gif, Benedict Cumberbatch, Andrew Scott, tumblr такой tumblr, pic

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Не знаю что это за порода, но ОНО шикарно

Шерлоковцев на ночь

@темы: Martin Freeman, gif, Benedict Cumberbatch, Andrew Scott, tumblr такой tumblr, pic

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Народ, как удалить переписку в скайпе??? ХДДДДД а то палево-палево...

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омайгадбл!!! анбиливбл!!!

ааааааааааааа!!! собссна... мну щастлиффф...
меня аццки зазывают в гости... и ваще... все так круто... и по мне целый год скучали...
это примерно так:
они были созданы друг для друга..
но тупили по -страшному
аыыыыы...
срочно мне лимон!!!

@темы: охуевать охуевашеньку!, СВ

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Эндрю и фаны

тут и тут еще статья какая-то... пока не успела ее почитать

@темы: Люю, Andrew Scott, news, Фото

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давно не приветствую никого!!! Но мужское пополнение на дайри!!! Эпик!

я не могу пропустить такое событие!!!!!!!
 pawky_buttons... бля, чувак, это охрененно, что ты зарегился!!!
Люблю тебя

@темы: ВНЕЗАПНО!, Люю, жареные соски (с), НЦы прям на месте, охуевать охуевашеньку!, Друзья, ПЧ

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Фотки по Шерлоку

еще одна тим фри вил ХДДД

@темы: Sherlock BBC, pic

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@темы: Martin Freeman, tumblr такой tumblr, Фото

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Не было бы счастья, да несчастье помогло!

Это я к слову о том, что наша дорогая любимая  tonnr все таки едет с Сашкой на РимКон.
Я безмерно счастлива!!! Рашн тейбл, ай лав ю!!!

@темы: Jus In Bello, russian table, news

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Frankenstein: Man or monster?

What's it like to play Frankenstein one night and his Creature the next? Maddy Costa meets Johnny Lee Miller and Benedict Cumberbatch as they tackle Danny Boyle's new production at the National

Danny Boyle is not a man to shy away from a challenge. The proof is all over cinema screens in his latest film 127 Hours, and it's evident in his return to British theatre, where he cut his teeth as a director in the 1980s. Boyle's choice of play – an adaptation (by Nick Dear) of Mary Shelley's Frankenstein, opening at London's National theatre next month – might be conventional, but not the way he is presenting it. Two actors will alternate the lead roles – a ploy attempted rarely, possibly with good reason.
"Frankenstein is creating life without women," Boyle reasons. "The idea is to bring two actors as close to that notion as possible. And how do you do that? In terms of the performance, Frankenstein and the Creature literally create each other: every other night they reinhabit each other."

Boyle's one problem was: "Could we find two actors who could do it?" Through auditions he chose Benedict Cumberbatch, who last year became one of Britain's leading young actors, both in the theatre – he was impeccable as a lethally bored socialite in After the Dance – and on TV, as a fiercely modern Sherlock Holmes. A rifle through his own back catalogue led Boyle back to Jonny Lee Miller, who played Sick Boy in his 1996 film Trainspotting. It would be easy to assume that director and actor were marking time until the opportunity arose to collaborate again: in fact, says Miller, "I hadn't had any contact with Danny since then."

Because this experiment is conducted so rarely, the three weren't initially sure how to work together. "One consideration was that they might rehearse separately, unless they were in the same scene," says Boyle. But as Cumberbatch and Miller befriended each other, they found this unhelpful. "We're not precious," says Miller. "We find it constructive to talk to each other about what looks good, what doesn't. We're more of a team."

"The dialogue between us is selfless and co-operative," adds Cumberbatch. "If there's something really good that he does, I will ask if I can incorporate it." Miller is anxious to point out that they're not stealing ideas from each other, but Cumberbatch has no such qualms: "There's no shame in stealing – any actor who says he doesn't is lying. You steal from everything."

Chatting in a room at the National that gazes across the river to St Paul's, the pair are so enthusiastic about their partnership, you wonder if there are drawbacks to alternating. Their answer is unanimous and instantaneous: "Time" – that is, the lack of it. "It's double the workload but not double the rehearsal time," says Cumberbatch. And it is much harder to learn lines. Cumberbatch says that he will start learning Frankenstein's lines, "then get wound up into the Creature's, because he gives cues. Having both characters on the same page is a distraction."

Neither actor claims to find one or other character easier or preferable. And it's Boyle's intention that Frankenstein and the Creature should "become the same in a way: two strands of the same part". And yet, the thought occurs that the actors' strengths veer in opposite directions: that Cumberbatch is obvious for Frankenstein, and Miller will excel as the Creature. That's more of a compliment than it might appear: it's Boyle's intention to make us rethink a character "distorted" by cinema, and "give him back his voice". As Miller says: "People think this is a horror story about a monster, but it's not: it's about abandonment, companionship, prejudice, and original sin – are you a product of your environment, is evil within you?"

This idea of a division of talents partly arises from the evident differences in their personalities. Miller is softly spoken and modest to a fault; fearful that anything he says about acting will make him sound, in his words, "fucking pretentious". Cumberbatch, by contrast, is dizzyingly confident, second-guessing questions and impersonating his director, quick to skewer himself as a "pompous" actor. What they have been surprised by in each other is telling. "This is awful, because it reveals more about me than Jonny," says Cumberbatch, "but he's very old-fashioned: he's very polite, a good timekeeper, concerned and caring." And Cumberbatch, says Miller, is "incredibly clever, incredibly inquisitive. He won't settle: he needs to know exactly what's going on. He's always asking, 'No, but ...' It wakes you up; it makes me do the same."

The two men are fairly close in age – Miller, at 38, is four years older – yet their careers have been utterly divergent. Since shooting to fame in Trainspotting in 1996, Miller's career has been chequered, with ups – a lead role with Sienna Miller on Broadway last year; the 2009 film Endgame – and downs, with films never seeing the light of day and US TV series being unexpectedly pulled.

Miller exudes quiet contentment with his lot: he is married to actor Michele Hicks, and they have a two-year-old child. But he admits that, as he progresses through his 30s, work is harder to come by, and for six months last year there was nothing at all: "Nothing of interest. And then you start panicking – you go a bit fucking crazy." Looking back on Trainspotting and everything that happened after, he thinks he had fun – after all, he was briefly married to Angelina Jolie – but, as far as work went, "I didn't really capitalise on it in the correct way."

Cumberbatch's progress was slower and steadier, until 2010, when he shot into the limelight with Sherlock and a call from Steven Spielberg, who wanted Cumberbatch to appear in his adaptation of War Horse. It would be easy to think Cumberbatch has had the better ride, but he's not sure: apart from anything else, "I should be so lucky to have married Angelina Jolie. If I'd had fame early on, I'd have been able to abuse it in the way that a young man should. I've been working to this, but a lot of the fruits of it I can't really enjoy."

He's not being wholly facetious: essentially, Cumberbatch is too mature to take advantage of the "ridiculous, very flattering adoration" that he has attracted since Sherlock was screened last August, but nor does he feel that he is in a position to settle down. "I used to be very, very broody – I still am, but it kind of upsets me. I'm getting more busy than I ever have been with work, there will be travel involved, and this is probably the worst time to think about having kids – just when I'm financially secure."

He's wary, too, of the implications of fame. "You get known as 'Sherlock'. That's not just from people who can't be bothered to remember 'Benedict Cumberbatch', and who can blame them, but because it's such a strong signature." Although he has signed up for a new series of Sherlock – he leaves to start shooting it the day he finishes in Frankenstein – the last thing he wants as an actor is to be "a reason to sell Sherlock T-shirts". So he consoles himself with one thought: "No one calls George Clooney 'Doug Ross' any more."

Far better for Cumberbatch to be remembered as a great Frankenstein – or should that be a great Creature? Time will tell whether he and Miller successfully pull off both roles, or dazzle in only one. Which raises the question: are audiences effectively compelled to see this production twice? "Not at all," says Boyle, laughing. "It's not a marketing tool."
источник

@темы: Benedict Cumberbatch, news, pic

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Benedict's Car Jacking Story

queer_theory offered to type up the story that Benedict Cumberbatch wrote for the book Inspired* By Music: Personal Reflections Of How Music Changed Our Lives. She said it was ok to repost. She bought the book and its available on amazon
www.amazon.co.uk/Inspired-Music-HRH-Prince-Wale...


How to Disappear Completely
Radiohead

I had gone to South Africa to make a BBC series called To The Ends of the Earth and on a weekend off I went with two friends to do a diving course in the stunning Sodwana Bay. Coming down with a cold and feeling anxious about making it back early in the morning, I selfishly pulled rank and suggested we break a cardinal rule by driving after dark.

I will always remember that “How to Disappear Completely” by Radiohead was playing. This haunting track was half-way through, the window was down and we were relaxing into the journey. That's when things started to go wrong. The front right tyre blew and we pulled up after 100 years to fix it. It was 8pm, pitch dark and we were two hours from home. There was traffic on the highway, but the rule is you never stop, not even for other drivers who may be in trouble. We were on our own.

I tried to change the wheel but I'm no mechanic and I couldn't get the jack to fit. Theo and Denise called the South African equivalent of the AA, but our hopes for them arriving were slim. Although we said nothing to each other, we were all feeling tense and nervous. Stories of car jacking were very fresh in our minds.

Out of the shadows of the bush we were suddenly aware of a group of six men moving towards us. It all happened so quickly. Theo calmly warned us not to look at them and do what they asked. They made us stand facing the car with our hands on our heads and were carrying what looked like weapons of some sort.

They frisked each of us for weapons and valuables and we cursed the fact that we’d paid for our diving course in cash - all we had in our wallets were bank cards.

They bundled us back into the car and I remember thinking that they wanted to shoot us in the car and then drive it off the road. Theo and Denise were in the back and I had to sit in the front passenger seat on the lap of one of the men, with my back to the windscreen and my head down. I was terrified. It seemed surreal. The guy I was sat on started to frisk me again and it freaked me out him touching me and so I looked directly at him and said, “What are you doing? What do you want? Just take our belongings and don’t hurt us.” Denise was trying to reason with them but Theo, who owned the car and lived in Johannesburg, told her to shut up. He became our spokesperson.

They drove the car off the road and into the bush. As we bumped over the sandy path further into the blackness, my bum hit the stereo and that Radiohead track we had been listening to burst on. The car stopped and we were bundled out and told to kneel with our hands on our heads. I tried to stand, as I knew I was about to be sick but they ordered us to kneel down and they took off our shoes. We were in the execution position with a duvet over out heads to silence the shots, beneath an underpass with HGVs thundering past above - the perfect cover for gunshots. They had driven us off-road to rob and shoot us, fix the car and drive off unobserved. “This is it!” I thought.

We waited but nothing happened. Then they tossed the duvet off us and demanded to know who owned the phones and cards they had found and why we had no cash or drugs. As a South African, Theo was doing most of the talking. South Africans are more expendable than Brits in the eyes of criminals - so when he stated explaining that Denise and I were not South African, but were English actors, he was selflessly helping us gain a high status in our captors’ eyes, although at the time I was fearful it made us a more precious commodity for a ransom.

By now the men had changed the flat. They intended to drive somewhere and use our cards in a machine. Unaware of the danger I was in and disorientated by the nausea and cramp that was still cripplingly uncomfortable, I again tried to stand. To them this was clearly a sign of panic or evasion. They ordered me to stand up and get into the boot of the car. With the lid shut I could head the others pleading. I don’t remember panicking but I must have shouted and the boot lid opened. I started to reason that this was not a good idea but they shut the boot again.

What are they doing to the others? Are they going to kill them while I’m trapped in here? I heard Den saying, “Please don’t kill him.” Christ they’re going to kill me in the boot! The lid opened and I found myself calmly lying that I was claustrophobic and that while I had enough air to breathe, I could panic and die and be a problem for them. “Dead body in a boot, problem, not good!” The lid slammed shut again. A lot of arguing. It opened again and they told me to get out.

They took me up a small hill away from the others. I fell over and cut my head on the ground. Once again they made me kneel and tied my hands behind my back with laces from the trainers they’d removed earlier. I heard “We are not going to hurt you but make one mistake and we will kill you. Lie on the ground.” I could hear the others being brought up and Den talking calmly about being cold and needing to be tied to me for warmth. Theo had gone silent and I feared the worst but thankfully he was brought to the same spot and tied up. The car sounded like it was leaving and that were were being guarded by only a couple of the gang.

I was on my side with my eyes closed and my ear to the ground. I was frozen in stillness and cold. I could feel the blood on my face and hear the insects scratching around in the dark. I thought of home and how, despite being near other people, we all die utterly alone. I started a breathing meditation to recover calm, conserve energy and remain alert.

At times it seemed that the men had gone, then they would come back. this happened a few times... and then nothing. We told each other that they were gone and began to untie ourselves. We could hardly walk at first, but eventually stumbled up the embankment and on to the road.

Cars and lorries passed and we tried to stop them but by now it was around 11pm - cars and lorries stop for no one.

After 15 minutes of losing hope we saw a sign and ran. It was a part open-air game shop, part curio shop, a co-operative run by women that served as a truck stop at night. They welcomed us and comforted us in our tears and explanations of what happened, clutching their faces in concern and clicking away in anger that we had experienced this in their country. I wept as an African man’s hand reached down to untie one of the remaining shoelaces on my wrist. I wrote as we waited for the police and production company, sipping an instant coffee and smoking a cigarette that were the best of my life.

I went back to the spot where it happened. In the daylight it seemed very small but it still belonged to that night and us. When I hear that Radiohead song, it doesn’t so much bring back the terror and the horror but instead reminds me of a sense of reality, even humour and with it, a reason for hope that somehow I would survive a small event in a big country and escape to live a fuller life.

@темы: охуевать охуевашеньку!, Benedict Cumberbatch

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Andrew talking about Dead Bodies

You can download the video interview (I captured it using iShow) or you can click the source link and watch the video there.

Download: www.mediafire.com/?k2dk2xq8ajq42jb

Source: sentencesthatdonotrhyme.tumblr.com/post/2781519...

Спасибо жж

а вот тут: www.bbc.co.uk/comedy/mylifeinfilm/interviews/in...
Request: Andrew's interview on the "My Life in Film" website
но!!!
cannot watch the interview because it's restricted—I'm outside the UK.

Может же кто-нибудь из UK залить его для нас...

@темы: Andrew Scott, news, Видео

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В следующий понедельник, 24 января, в 22.00 по Гринвичу (01.00 МСК) Бенедикт Камбербэтч появится в шоу Алана Карра "Chatty Man" на 4 канале, где расскажет о своей последней театральной роли в "Франкенштейне" Дэнни Бойла в Национальном театре.
Посмотреть онлайн можно будет здесь.

@темы: Benedict Cumberbatch, news

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еще красоты

@темы: Benedict Cumberbatch, tumblr такой tumblr, pic

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@темы: Andrew Scott, tumblr такой tumblr, theatre, pic

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Новый фотосет

немного обрезаны, но как уж получилось вытащить...

Эндрю

UPD. поменяла 2 фотки. без долбанной подписи!

запись создана: 17.01.2011 в 14:28

@темы: Люю, Andrew Scott, Фото